![]() ![]() I used Panaspeeds while on the TV series Maid, and they have become one of my favorite lenses. These weren’t available for us when we started filming last season. ![]() ![]() We had Cooke S4s in Season 1, and we moved to Panavision Panaspeeds this season. And having just the one voice behind the camera allows for a very unified and consistent flow throughout the episodes.ĭid anything change significantly from S1 to S2? What were the challenges (or benefits) of being the only DP?īecause I was the only cinematographer on the show, I didn’t really have time to prepare episodes with the upcoming directors or scout locations properly, but we tackled this show as a long feature film, with a specific look that would change between all the different timelines. But I had enough time to develop the look and style I had in mind. When I was hired for the job, some of the real locations had already been chosen, so sadly, I didn’t have much input on those, and some have proven to be quite challenging logistically. All these memories and experiences were a key factor in how I saw this story from a teenager’s perspective. I remember growing up in Spain with my best friend and how everything back then was about creating adventures, exploring life, dreaming about the future. I also connected with this story a lot I need to have a connection with the stories I am working on. We could cover many topics as the background of our story and emphasize how things have changed for women regarding equality and rights from the ‘70s to today. I thought it was a fascinating story about friendship with American culture and history as our canvas. We clicked right away while talking about the look and style I had in mind for the show. I met with showrunner Maggie Friedman early on, when there was just one pilot script. How early did you get involved, and how did that help? You were the sole DP on Season 1 and Season 2. DP Vincent De Paula, CSC - who has extensive feature and television credits - has been on the show since its inception, working with showrunner Maggie Friedman to get the right look for the many time frames the show depicts. ![]()
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